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What film do you use?
It varies from image to image, what every works best for the feel and
emotion I'm working to achieve. Mostly Kodak E100sw professional or Fuji
Velvia 50 film in 120mm size (Medium format).
Which Camera(s) do you use?
When a manufacturer cares to pay me to promote their equipment, I'll let
you know. After all, it's the eye not the gear now is it not?
What are your average exposures?
Exposures for images vary according to need. All exposures are calculated
at the time of a shot for the existing lighting conditions and the disired
effect.
Where did you study Photography?
The Art Center College of Design in Pasadena, CA. Graduated in 1977 with
a BA in Photography.
When will I receive my print(s) if I order them
today online?
We will begin to process and print your order as soon as we receive your
Email request. We will then
send you an Email Invoice. Once we receive your check and copy of your
order receipt we will be able to ship your order with in 3 to 4 weeks.
Each Iris print is custom printed and we take great care in producing
and coating each Iris print. This process can take an average of 3-4 weeks
to complete.
Why don't you accept credit card orders?
We prefer to speak with people interested in my images directly. We have
found that our clients prefer the personal approach.
Are your photographs a good investment?
I would hope you purchase the gallery's work because it makes you feel
good. It is our desire to see the signed and numbered versions gain value
as they are sold out. Signed and numbered images will not be produced
in quantities of more than the amounts stated next to each image size
in order to increase the financial benefit of purchase.
Can I purchase your images anywhere other than
on the Internet?
We have been in many galleries and as we acquire more interested galleries
we will update that information on this site, so check our Home Page for current exhibitions.
How do you recommend framing and keeping the
photographs?
All color photographic images are susceptible to fading over time. I recommend
that all prints be mounted on acid free backing, with a matte border that
keeps the print away from the glass of the picture frame. If you are not
familiar with framing photographs yourself, it is wise to have a professional
framer do the work for you. Keep the images out of fluorescent or direct
sunlight for long periods of time, as these light sources put out the
most Ultra-violet damaging light. We recommend placing the images under
UV protective plexiglass or if you are a collector, in dark storage for
best archivability.
Are these images manipulated in a computer?
In no different a way than I would have in the old fashion darkroom. I
use an Apple Macintosh as my new state of the art darkroom. The newest
work, "The Floor" and "Water Colors" were painted using "Painter 4.0"
and the screen versions were then artist enhanced after the Giclée
prints were coated.
What are your feelings about digital photography
and the resistance to it by the art world, ie, . . . that it's not real
photography as it has been manipulated in a computer?
I think this is a very important question to be confronted. First of all,
I love the purity of an original image, and that is a form of the frozen
moment, art that photography is famous for. Now when we look at images
printed by great photographers past and present that didn't use digital
computers, you find that they often manipulated their images in the process
of taking a photo (filters, exposure, films), or in the darkroom or lab
(burning and dodging, retouching and spotting) that made the moment a
personal vision and far different than what the eye sees at the scene.
That is the art of the photographer. With all the tools available one
can create one's own vision or subjective interpretation of the moment.
Digital manipulation allows the photographer to take the process even
further but in no way should be considered anything other than a new set
of tools to archive the artists vision.
So is it art?
Of course it is. Is it photography, yes, just a new way of working on
the image. Can you believe everything you see in a photograph? I would
say no, and it is wise to be skeptical. Everything can be manipulated
now, even video and film, so look at photographic art for what it is,
someone's personal vision, nothing more. If you like the image, and it
speaks to you, then consider owning it.
Do you develop your own film?
No, although I used to do it many years ago.
Can I print the low resolution images that I
can download?
Yes, only for personal use, no resale or I'll sue your butt. AND... the
quality will be very poor at 72dpi and very small. Sorry. You'll be much
happier with them as screen saver images or better yet, actual Iris prints.
What is the quality of the fine art printed images
that I can purchase, and how are they created?
The Iris images are the finest Giclée prints you will find anywhere
for fine art purposes, for their aesthetic as well as archival qualities.
The word Giclée was coined by my printer Jack Duganne, taken from
the French translation meaning "sprayed ink."
What about the paper that the images are printed
on?
The Iris prints are done on a high quality fiber/watercolor paper called
Sommerset Heavyweight 500lb. cotton fiber paper and are printed on 35"x47"
sheets. This paper is ideal for it absorbs the special Iris fine art ink
set watercolor inks and is sealed with a special UV coating to protect
the images from spillage and light damage. My printers (Jack Duganne at
Duganne Atelliers has taken great care and time to refine
this process and their prints are now widely accepted in the art world
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